Vol. IV, Book VIII, Chap. III: “The Beginning of Shadow”

Vol. III, Book VIII, Chap. II: “Treasure Trove”

Vol. II, Book VII, Chap. VII: “Precautions to be Observed in Blame”

Vol. I, Book V, Chap. X: “Result of the Success”

Vol. II, Book I, Chap. XIV: “The Last Square”

Vol. II, Book I, Chap. VIII: “The Emperor Puts a Question to the Guide Lacoste”

Vol. II, Book VI, Chap. XI: “End of the Petit-Picpus”

Vol. II, Book II, Chap. II: “In Which the Reader Will Peruse Two Verses, Which are of the Devil’s Composition, Possibly”

Vol. III, Book VIII, Chap. XIII: “Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster”

Vol. I, Book III, Chap. II: “A Double Quartette”

Vol. I, Book IV, Chap. I: “One Mother Meets Another Mother”

Vol. I, Book III, Chap. VI: “A Chapter In Which They Adore Each Other”

Part IV, Book X, Chap IV: “The Ebullitions of Former Days”

Vol. III, Book III, Chap. VII: “Some Petticoat”

Vol. II, Book VIII, Chap. III: “Mother Innocente”

Vol. IV, Book V, Chap. II: “In Which Little Gavroche Extracts Profit from Napoleon the Great”

Vol. II, Book V, Chap. VII: “Continuation of the Enigma”

Vol. I, Book II, Chap. IX: “New Troubles”

Vol. IV, Book VIII, Chap. II: “The Bewilderment of Perfect Happiness”

Vol. IV, Book VIII, Chap. III: “Apparition to Father Mabeuf”

Vol. III, Book IV, Chap. V: “Enlargement of Horizon”

Vol. IV, Book III, Chap. III: “Foliis Ac Frondibus”

Vol. III, Book VIII, Chap IV: “A Rose in Misery”

Vol. I, Book II, Chap. VI: “Jean Valjean”

Vol. IV, Book VIII, Chap. VII: “The Old Heart And The Young Heart In The Presence Of Each Other”

Vieille Chanson du Jeune Temps

Mazeppa

Vol. VI, Book VIII, Chap. I: “Full Light”

Volume IV, Book IX, Chap III: “M. Mabeuf”

Sur une barricade, au milieu des pavés

Vol. I, Book III, Chap. IV: “Tholomyes is So Merry That He Sings a Spanish Ditty”

Vol. I, Book III, Chap. IX: “A Merry End to Mirth”

Vol. I, Book VII, Chap. I: “Sister Simplice”

Vol. I, Book I, Chap. V: “Monseigneur Bienvenu Made his Cassocks Last too Long”

Vol. II, Book VI, Chap. X: “Origin of the Perpetual Adoration”

La Fonction du poète

Vol. I, Book III, Chap. V: “At Bombarda’s”

Vol. IV , Book VIII, Chap. IV: “A Cab Runs in English and Barks in Slang”

Vol. II, Book V, Chap. X: “Which Explains How Javert Got on the Scent”

Vol. II, Book III, Chap. X: “He Who Seeks to Better Himself May Render His Situation Worse”

Vol. III, Book III, Chap. IV: “End of the Brigand”

Part IV, Book X, Chap V: “Originality of Paris”