PrimaryThe Complete Poetry of Percy Bysshe Shelley, 3 vols, eds. Neil Fraistat, Donald Reiman, and Nora Crock. (Baltimore: The Johns Hopkins University Press, 2004).
The Letters of Percy Bysshe Shelley, 2 vols, ed. Frederick L. Jones, (Oxford: The Clarendon Press, 1964).
The Letters of John Keats, 1814-1821 , 2 vols, ed. Hyder E. Rollins (Cambridge, MA: Harvard University Press: 1958).
Shelley’s Adonais: A Critical Edition, ed. Anthony D. Knerr (New York City: Columbia University Press, 1984).SecondaryAlpers, Paul, What is Pastoral? (Chicago: University of Chicago Press, 1999).
Behrendt, Stephen C., (ed), Longman Cultural Edition: Percy Bysshe Shelley (London: Longman, 2010).
Bloom, Harold, The Anxiety of Influence (Oxford; Oxford University Press, 1973).
Curran, Stuart, “Adonais in Context” in Shelley Revalued: Essays from the Gregnyog Conference, ed. Kelvin Everest (Totowa, NJ: Barnes & Noble, 1983).
--, Poetic Form and British Romanticism. (Oxford and New York: Oxford University Press, 1986).
--, “Shelley’s Pisan Pastorals” from Paradise of Exiles: Shelley and Byron in Pisa, ed. Mirio Curreli and Anthony L. Johnson (Rome: ETS, 1988).
Eliot, T.S., “Shelley and Keats” in The Use of Poetry and the Use of Criticism. (Cambridge, MA: Harvard University Press, 1933)
Epstein, Andrew, “'Flowers That Mock the Corse beneath': Shelley’s 'Adonais', Keats, and Poetic Influence" Keats-Shelley Journal, Vol. 48, (1999), 90-128
Hogle, Jerrold, Shelley’s Process: Radical Transference and the Development of His Major Works (New York: Oxford University Press, 1988), 294-318
Lewis, C.S., “Dryden, Shelley, and Mr. Eliot” in Selected Literary Essays (Cambridge: Cambridge University Press, 1979).
Leighton, Angela, Shelley and the Sublime: An Interpretation of the Major Poems (New York: Cambridge University Press, 1984).
Lowell, Amy, John Keats (Boston: Houghton Mifflin, 1925).
Sacks, Peter, The English Elegy: Studies in the Genre from Spenser to Yeats “Chapter VI: Shelley’s Adonais” (Baltimore: The Johns Hopkins University Press, 1985). 138–165
Spiegelman, Willard, Majestic Indolence, “States of Possession: Shelley’s Versions of Pastoral” (Oxford: Oxford University Press, 1995). 138-165.
Sharp, Michele, “Mirroring the Future “Adonais”, Elegy, and the Life in Letters” Criticism, Vol. 42, No. 3 (Summer 2000), 299-316
Shaw, David, Elegy and Paradox: Testing the Conventions (Baltimore: The Johns Hopkins University Press, 1994).
Teskey, Gordon, “Introduction: The Life of John Milton,” in Paradise Lost: Norton Critical Editions (New York City: Norton and Co., 2005).
Wasserman, Earl, Shelley: A Critical Reading (Baltimore: The Johns Hopkins University Press, 1971)
Yeats, W.B., “The Philosophy of Shelley’s Poetry” (1900). Reprinted in, e.g., The Collected Works of W.B. Yeats Volume IV: Early Essays, eds. Richard J. Finnerman George Bornstein (New York City: Scribner, 2007).
The Letters of Percy Bysshe Shelley, 2 vols, ed. Frederick L. Jones, (Oxford: The Clarendon Press, 1964).
The Letters of John Keats, 1814-1821 , 2 vols, ed. Hyder E. Rollins (Cambridge, MA: Harvard University Press: 1958).
Shelley’s Adonais: A Critical Edition, ed. Anthony D. Knerr (New York City: Columbia University Press, 1984).SecondaryAlpers, Paul, What is Pastoral? (Chicago: University of Chicago Press, 1999).
Behrendt, Stephen C., (ed), Longman Cultural Edition: Percy Bysshe Shelley (London: Longman, 2010).
Bloom, Harold, The Anxiety of Influence (Oxford; Oxford University Press, 1973).
Curran, Stuart, “Adonais in Context” in Shelley Revalued: Essays from the Gregnyog Conference, ed. Kelvin Everest (Totowa, NJ: Barnes & Noble, 1983).
--, Poetic Form and British Romanticism. (Oxford and New York: Oxford University Press, 1986).
--, “Shelley’s Pisan Pastorals” from Paradise of Exiles: Shelley and Byron in Pisa, ed. Mirio Curreli and Anthony L. Johnson (Rome: ETS, 1988).
Eliot, T.S., “Shelley and Keats” in The Use of Poetry and the Use of Criticism. (Cambridge, MA: Harvard University Press, 1933)
Epstein, Andrew, “'Flowers That Mock the Corse beneath': Shelley’s 'Adonais', Keats, and Poetic Influence" Keats-Shelley Journal, Vol. 48, (1999), 90-128
Hogle, Jerrold, Shelley’s Process: Radical Transference and the Development of His Major Works (New York: Oxford University Press, 1988), 294-318
Lewis, C.S., “Dryden, Shelley, and Mr. Eliot” in Selected Literary Essays (Cambridge: Cambridge University Press, 1979).
Leighton, Angela, Shelley and the Sublime: An Interpretation of the Major Poems (New York: Cambridge University Press, 1984).
Lowell, Amy, John Keats (Boston: Houghton Mifflin, 1925).
Sacks, Peter, The English Elegy: Studies in the Genre from Spenser to Yeats “Chapter VI: Shelley’s Adonais” (Baltimore: The Johns Hopkins University Press, 1985). 138–165
Spiegelman, Willard, Majestic Indolence, “States of Possession: Shelley’s Versions of Pastoral” (Oxford: Oxford University Press, 1995). 138-165.
Sharp, Michele, “Mirroring the Future “Adonais”, Elegy, and the Life in Letters” Criticism, Vol. 42, No. 3 (Summer 2000), 299-316
Shaw, David, Elegy and Paradox: Testing the Conventions (Baltimore: The Johns Hopkins University Press, 1994).
Teskey, Gordon, “Introduction: The Life of John Milton,” in Paradise Lost: Norton Critical Editions (New York City: Norton and Co., 2005).
Wasserman, Earl, Shelley: A Critical Reading (Baltimore: The Johns Hopkins University Press, 1971)
Yeats, W.B., “The Philosophy of Shelley’s Poetry” (1900). Reprinted in, e.g., The Collected Works of W.B. Yeats Volume IV: Early Essays, eds. Richard J. Finnerman George Bornstein (New York City: Scribner, 2007).
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