Distant Sounds Walt Whitman

    The axe of the wood-cutter, the measured thud of a single threshing-flail, the crowing of chanticleer in the barn-yard, (with invariable responses from other barn-yards,) and the lowing of cattle—but most of all, or far or near, the wind—through the high tree-tops, or through low bushes, laving one's face and hands so gently, this balmy-bright noon, the coolest for a long time, (Sept. 2)—I will not call it sighing, for to me it is always a firm, sane, cheery expression, through a monotone, giving many varieties, or swift or slow, or dense or delicate. The wind in the patch of pine woods off there—how sibilant. Or at sea, I can imagine it this moment, tossing the waves, with spirits of foam flying far, and the free whistle, and the scent of the salt—and that vast paradox somehow with all its action and restlessness conveying a sense of eternal rest.

    Other adjuncts.—But the sun and the moon here and these times. As never more wonderful by day, the gorgeous orb imperial, so vast, so ardently, lovingly hot—so never a more glorious moon of nights, especially the last three or four. The great planets too—Mars never before so flaming bright, so flashing-large, with slight yellow tinge, (the astronomers say—is it true?—nearer to us than any time the past century)—and well up, lord Jupiter, (a little while since close by the moon)—and in the west, after the sun sinks, voluptuous Venus, now languid and shorn of her beams, as if from some divine excess.