[Intro: Rod Serling]
I remember the quote, I didn't understand it at the time. I failed to achieve any degree of understanding in the ensuing years, which are three in number
I presume Herb means that inherently you cannot be commercial and artistic; you cannot be commercial concurrent with having a preoccupation with the level of storytelling that you want to achieve. And this, I have to reject
I don't think calling something 'commercial' tags it with a kind of an odious suggestion that it stinks, that it's something raunchy, to be ashamed of. I don't think if you say 'commercial' means to be publicly acceptable, what's wrong with that?
As long as you are not ashamed of anything you write if you're a writer, as long as you're not ashamed of anything you perform if you're an actor, and I'm not ashamed of anything
This is the area I know
But I think innate in what Herb says is the suggestion made by many people that you can't have public acceptance and still be artistic. And, as I said, I have to reject that

[Refrain: Emma Louise]
Just two bodies
Just two bodies
So ready to dim my mind

[Verse 1: Emma Louise]
Come over or not
I've been so ready to dim my mind
Your body, a drug for mine
Two bodies moving in time and space
To try and heal me
I know what I want, so come over and

[Chorus: Emma Louise]
Hold me, I won't ask for anything more
I'm hurting, use me now when I'm vulnerable
It helps me fake some love for a little while
I know what I want, so take advantage of me
I don't mind if you take advantage of me
So take advantage of me
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