I
Excuse, my lord, the liberty I take
In thus addressing you. I know that you
Will pay the price of authorship and make
The allowances an author has to do.
A poet’s fan-mail will be nothing new.
And then a lord—Good Lord, you must be peppered,
Like Gary Cooper, Coughlin, or Dick Sheppard,
With notes from perfect strangers starting, ‘Sir,
I liked your lyrics, but Childe Harold’s trash,’
‘My daughter writes, should I encourage her?’
Sometimes containing frank demands for cash,
Sometimes sly hints at a platonic pash,
And sometimes, though I think this rather crude,
The correspondent’s photo in the nude.
And as for manuscripts—by every post. . .
I can’t improve on Pope’s shrill indignation,
But hope that it will please his spiteful ghost
To learn the use in culture’s propagation
Of modern methods of communication;
New roads, new rails, new contacts, as we know
From documentaries by the G.P.O.
Excuse, my lord, the liberty I take
In thus addressing you. I know that you
Will pay the price of authorship and make
The allowances an author has to do.
A poet’s fan-mail will be nothing new.
And then a lord—Good Lord, you must be peppered,
Like Gary Cooper, Coughlin, or Dick Sheppard,
With notes from perfect strangers starting, ‘Sir,
I liked your lyrics, but Childe Harold’s trash,’
‘My daughter writes, should I encourage her?’
Sometimes containing frank demands for cash,
Sometimes sly hints at a platonic pash,
And sometimes, though I think this rather crude,
The correspondent’s photo in the nude.
And as for manuscripts—by every post. . .
I can’t improve on Pope’s shrill indignation,
But hope that it will please his spiteful ghost
To learn the use in culture’s propagation
Of modern methods of communication;
New roads, new rails, new contacts, as we know
From documentaries by the G.P.O.
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