INT. ANTECHAMBER - DAY
Eames pulls the defibrillator from Fischer's chest as he COUGHS AWAKE.
EAMES: Get in there -- quick!
Fischer looks up at the double doors. STAGGERS to his feet. Fischer pushes open the doors to the STRONGROOM.
INT. STRONGROOM - CONTINUOUS
Fischer walks into the silent white room. At one end of the room is a bed. A figure lies in the bed. His FATHER. Breathing with tremendous difficulty. Dying. And we-
CUT TO: EXT. PENTHOUSE (LIMBO) - DAY
Ariadne takes aim at Mal-
COBB: No!
Cobb holds Ariadne's gaze. She lowers the gun. And we-
CUT TO:
Eames GRABS the detonator- then moves to the door of the strongroom...
CUT TO: INT. ELEVATOR, HOTEL - NIGHT
Eames pulls the defibrillator from Fischer's chest as he COUGHS AWAKE.
EAMES: Get in there -- quick!
Fischer looks up at the double doors. STAGGERS to his feet. Fischer pushes open the doors to the STRONGROOM.
INT. STRONGROOM - CONTINUOUS
Fischer walks into the silent white room. At one end of the room is a bed. A figure lies in the bed. His FATHER. Breathing with tremendous difficulty. Dying. And we-
CUT TO: EXT. PENTHOUSE (LIMBO) - DAY
Ariadne takes aim at Mal-
COBB: No!
Cobb holds Ariadne's gaze. She lowers the gun. And we-
CUT TO:
Eames GRABS the detonator- then moves to the door of the strongroom...
CUT TO: INT. ELEVATOR, HOTEL - NIGHT
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