Every evening at lighting up o’clock sharp and until further notice in Feenichts Playhouse. (Bar and conveniences always open, Diddlem Club douncestears.) Entrancings: gads, a scrab; the quality, one large shilling. Newly billed for each wickeday perfumance. Somndoze massinees. By arraignment, childream’s hours, expercatered. Jampots, rinsed porters, taken in token. With nightly redistribution of parts and players by the puppetry pro-ducer and daily dubbing of ghosters, with the benedict;on of the Holy Genesius Archimimus and under the distinguished patron-age of their Elderships the Oldens from the four coroners of Findrias, Murias, Gorias and Falias, Messoirs the Coarbs, Clive Sollis, Galorius Kettle, Pobiedo Lancey and Pierre Dusort, while the Caesar-inChief looks. On. Sennet. As played to the Adelphi by the Brothers Bratislavoff (Hyrcan and Haristobulus), after humpteen dumpteen revivals. Before ah the King’s Hoarsers with all the Queen’s Mum. And wordloosed over seven seas crowdblast in cellelleneteutoslavzendlatinsoundscript. In four tubbloids. While fern may cald us until firn make cold. The Mime of Mick, Nick and the Maggies, adopted from the Ballymooney Bloodriddon Murther by Bluechin Blackdillain (authorways ‘Big Storey’), featuring:
GLUGG (Mr Seumas McQuillad, hear the riddles between the robot in his dress circular and the gagster in the rogues’ gallery), the bold bad bleak boy of the storybooks, who, when the tabs go up, as we discover, because he knew to mutch, has been divorced into disgrace court by
THE FLORAS (Girl Scouts from St. Bride’s Finishing Establish-ment, demand acidulateds), a month’s bunch of pretty maidens who, while they pick on her, their pet peeve, form with valkyri-enne licence the guard for
IZOD (Miss Butys Pott, ask the attendantess for a leaflet), a be-witching blonde who dimples delightfully and is approached in loveliness only by her grateful sister reflection in a mirror, the cloud of the opal, who, having jilted Glugg, is being fatally fascinated by
CHUFF (Mr Sean O’Mailey, see the chalk and sanguine picto-graph on the safety drop), the fine frank fairhaired fellow of the fairytales, who wrestles for tophole with the bold bad bleak boy Glugg, geminally about caps or puds or tog bags or bog gats or chuting rudskin gunerally or something, until they adumbrace a pattern of somebody else or other, after which they are both car-ried off the set and brought home to be well soaped, sponged and scrubbed again by
ANN (Miss Corrie Corriendo, Grischun scoula, bring the babes, Pieder, Poder and Turtey, she mistributes mandamus monies, after perdunamento, hendrud aloven entrees, pulcinellis must not miss our national rooster’s rag), their poor little old mother-inlieu, who is woman of the house, playing opposite to
HUMP (Mr Makeall Gone, read the sayings from Laxdalesaga in the programme about King Ericus of Schweden and the spirit’s whispers in his magical helmet), cap-a-pipe with watch and top-per, coat, crest and supporters, the cause of all our grievances, the whirl, the flash and the trouble, who, having partially re-covered from a recent impeachment due to egg everlasting, but throughandthoroughly proconverted, propounded for cyclo-logical, is, studding sail once more, jibsheets and royals, in the semblance of the substance for the membrance of the umbrance with the remnance of the emblence reveiling a quemdam super-cargo, of The Rockery, Poopinheavin, engaged in entertaining in his pilgrimst customhouse at Caherlehome-upon-Eskur those statutory persons
THE CUSTOMERS (Components of the Afterhour Courses at St. Patricius’ Academy for Grownup Gentlemen, consult the annu-ary, coldporters sibsuction), a bundle of a dozen of representa — tive locomotive civics, each inn quest of outings, who are still more sloppily served after every cup final by
SAUNDERSON (Mr Knut Oelsvinger, Tiffsdays off, wouldntstop in bad, imitation of flatfish, torchbearing supperaape, dud half-sovereign, no chee daily, rolly pollsies, Glen of the Downs, the Gugnir, his geyswerks, his earsequack, his lokistroki, o.s.v.), a scherinsheiner and spoilcurate, unconcerned in the mystery but under the inflounce of the milldieuw and butt of
KATE (Miss Rachel Lea Varian, she tells forkings for baschfel-lors, under purdah of card palmer teaput tosspot Madam d’Elta, during the pawses), kook-and-dishdrudge, whitch believes wan-thingthats, whouse be the churchyard or whorts up the aasgaars, the show must go on.
Time: the pressant.
With futurist onehorse balletbattle pictures and the Pageant of Past History worked up with animal variations amid ever-glaning mangrovemazes and beorbtracktors by Messrs Thud and Blunder. Shadows by the film folk, masses by the good people. Promptings by Elanio Vitale. Longshots, upcloses, outblacks and stagetolets by Hexenschuss, Coachmaher, Incubone and Rock-narrag. Creations tastefully designed by Madame Berthe Dela — mode. Dances arranged by Harley Quinn and Coollimbeina. Jests, jokes, jigs and jorums for the Wake lent from the properties of the late cemented Mr T. M. Finnegan R.I.C. Lipmasks and hairwigs by Ouida Nooikke. Limes and Floods by Crooker and Toll. Kopay pibe by Kappa Pedersen. Hoed Pine hat with twentyfour ventholes by Morgen. Bosse and stringbag from Heteroditheroe’s and All Ladies’ presents. Tree taken for grafted. Rock rent. Phenecian blends and Sourdanian doofpoosts by Shauvesourishe and Wohntbedarft. The oakmulberryeke with silktrick twomesh from Shop–Sowry, seedsmanchap. Grabstone beg from General Orders Mailed. The crack (that’s Cork!) by a smoker from the gods. The interjection (Buckley!) by the fire- ment in the pit. Accidental music providentially arranged by L’Archet and Laccorde. Melodiotiosities in purefusion by the score. To start with in the beginning, we need hirtly bemark, a community prayer, everyone for himself, and to conclude with as an exodus, we think it well to add, a chorale in canon, good for us all for us all us all all. Songs betune the acts by the ambiamphions of Annapolis, Joan MockComic, male so-prano, and Jean Souslevin, bass noble, respectively: O, Mester Sogermon, ef thes es whot ye deux, then I’m not surpleased ye want that bottle of Sauvequipeu and Oh Off Nunch Der Rasche Ver Lasse Mitsch Nitscht. Till the summit scenes of climbacks castastrophear, The Bearded Mountain (Polymop Barethe-rootsch), and The River Romps to Nursery (Maidykins in Undi — form). The whole thugogmagog, including the portions under — stood to be oddmitted as the results of the respective titulars neglecting to produce themselves, to be wound up for an after-enactment by a Magnificent Transformation Scene showing the Radium Wedding of Neid and Moorning and the Dawn of Peace, Pure, Perfect and Perpetual, Waking the Weary of the World.
An argument follows.
Chuffy was a nangel then and his soard fleshed light like like-ning. Fools top! Singty, sangty, meekly loose, defendy nous from prowlabouts. Make a shine on the curst. Emen.
But the duvlin sulph was in Glugger, that lost-to-lurning. Punct. He was sbuffing and sputing, tussing like anisine, whip-ping his eyesoult and gnatsching his teats over the brividies from existers and the outher liubbocks of life. He halth kelchy chosen a clayblade and makes prayses to his three of clubs. To part from these, my corsets, is into overlusting fear. Acts of feet, hoof and jarrety: athletes longfoot. Djowl, uphere!
GLUGG (Mr Seumas McQuillad, hear the riddles between the robot in his dress circular and the gagster in the rogues’ gallery), the bold bad bleak boy of the storybooks, who, when the tabs go up, as we discover, because he knew to mutch, has been divorced into disgrace court by
THE FLORAS (Girl Scouts from St. Bride’s Finishing Establish-ment, demand acidulateds), a month’s bunch of pretty maidens who, while they pick on her, their pet peeve, form with valkyri-enne licence the guard for
IZOD (Miss Butys Pott, ask the attendantess for a leaflet), a be-witching blonde who dimples delightfully and is approached in loveliness only by her grateful sister reflection in a mirror, the cloud of the opal, who, having jilted Glugg, is being fatally fascinated by
CHUFF (Mr Sean O’Mailey, see the chalk and sanguine picto-graph on the safety drop), the fine frank fairhaired fellow of the fairytales, who wrestles for tophole with the bold bad bleak boy Glugg, geminally about caps or puds or tog bags or bog gats or chuting rudskin gunerally or something, until they adumbrace a pattern of somebody else or other, after which they are both car-ried off the set and brought home to be well soaped, sponged and scrubbed again by
ANN (Miss Corrie Corriendo, Grischun scoula, bring the babes, Pieder, Poder and Turtey, she mistributes mandamus monies, after perdunamento, hendrud aloven entrees, pulcinellis must not miss our national rooster’s rag), their poor little old mother-inlieu, who is woman of the house, playing opposite to
HUMP (Mr Makeall Gone, read the sayings from Laxdalesaga in the programme about King Ericus of Schweden and the spirit’s whispers in his magical helmet), cap-a-pipe with watch and top-per, coat, crest and supporters, the cause of all our grievances, the whirl, the flash and the trouble, who, having partially re-covered from a recent impeachment due to egg everlasting, but throughandthoroughly proconverted, propounded for cyclo-logical, is, studding sail once more, jibsheets and royals, in the semblance of the substance for the membrance of the umbrance with the remnance of the emblence reveiling a quemdam super-cargo, of The Rockery, Poopinheavin, engaged in entertaining in his pilgrimst customhouse at Caherlehome-upon-Eskur those statutory persons
THE CUSTOMERS (Components of the Afterhour Courses at St. Patricius’ Academy for Grownup Gentlemen, consult the annu-ary, coldporters sibsuction), a bundle of a dozen of representa — tive locomotive civics, each inn quest of outings, who are still more sloppily served after every cup final by
SAUNDERSON (Mr Knut Oelsvinger, Tiffsdays off, wouldntstop in bad, imitation of flatfish, torchbearing supperaape, dud half-sovereign, no chee daily, rolly pollsies, Glen of the Downs, the Gugnir, his geyswerks, his earsequack, his lokistroki, o.s.v.), a scherinsheiner and spoilcurate, unconcerned in the mystery but under the inflounce of the milldieuw and butt of
KATE (Miss Rachel Lea Varian, she tells forkings for baschfel-lors, under purdah of card palmer teaput tosspot Madam d’Elta, during the pawses), kook-and-dishdrudge, whitch believes wan-thingthats, whouse be the churchyard or whorts up the aasgaars, the show must go on.
Time: the pressant.
With futurist onehorse balletbattle pictures and the Pageant of Past History worked up with animal variations amid ever-glaning mangrovemazes and beorbtracktors by Messrs Thud and Blunder. Shadows by the film folk, masses by the good people. Promptings by Elanio Vitale. Longshots, upcloses, outblacks and stagetolets by Hexenschuss, Coachmaher, Incubone and Rock-narrag. Creations tastefully designed by Madame Berthe Dela — mode. Dances arranged by Harley Quinn and Coollimbeina. Jests, jokes, jigs and jorums for the Wake lent from the properties of the late cemented Mr T. M. Finnegan R.I.C. Lipmasks and hairwigs by Ouida Nooikke. Limes and Floods by Crooker and Toll. Kopay pibe by Kappa Pedersen. Hoed Pine hat with twentyfour ventholes by Morgen. Bosse and stringbag from Heteroditheroe’s and All Ladies’ presents. Tree taken for grafted. Rock rent. Phenecian blends and Sourdanian doofpoosts by Shauvesourishe and Wohntbedarft. The oakmulberryeke with silktrick twomesh from Shop–Sowry, seedsmanchap. Grabstone beg from General Orders Mailed. The crack (that’s Cork!) by a smoker from the gods. The interjection (Buckley!) by the fire- ment in the pit. Accidental music providentially arranged by L’Archet and Laccorde. Melodiotiosities in purefusion by the score. To start with in the beginning, we need hirtly bemark, a community prayer, everyone for himself, and to conclude with as an exodus, we think it well to add, a chorale in canon, good for us all for us all us all all. Songs betune the acts by the ambiamphions of Annapolis, Joan MockComic, male so-prano, and Jean Souslevin, bass noble, respectively: O, Mester Sogermon, ef thes es whot ye deux, then I’m not surpleased ye want that bottle of Sauvequipeu and Oh Off Nunch Der Rasche Ver Lasse Mitsch Nitscht. Till the summit scenes of climbacks castastrophear, The Bearded Mountain (Polymop Barethe-rootsch), and The River Romps to Nursery (Maidykins in Undi — form). The whole thugogmagog, including the portions under — stood to be oddmitted as the results of the respective titulars neglecting to produce themselves, to be wound up for an after-enactment by a Magnificent Transformation Scene showing the Radium Wedding of Neid and Moorning and the Dawn of Peace, Pure, Perfect and Perpetual, Waking the Weary of the World.
An argument follows.
Chuffy was a nangel then and his soard fleshed light like like-ning. Fools top! Singty, sangty, meekly loose, defendy nous from prowlabouts. Make a shine on the curst. Emen.
But the duvlin sulph was in Glugger, that lost-to-lurning. Punct. He was sbuffing and sputing, tussing like anisine, whip-ping his eyesoult and gnatsching his teats over the brividies from existers and the outher liubbocks of life. He halth kelchy chosen a clayblade and makes prayses to his three of clubs. To part from these, my corsets, is into overlusting fear. Acts of feet, hoof and jarrety: athletes longfoot. Djowl, uphere!
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