For me the tragedy's most important act is the sixth:
the raising of the dead from the stage's battlegrounds
the straightening of wigs and fancy gowns
removing knives from stricken breasts,
taking nooses from lifeless necks,
lining up among the living
to face the audience.
The bows, both solo and ensemble -
the pale hand on the wounded heart,
the curtseys of the hapless suicide,
the bobbing of the chopped-off head.
The bows in pairs -
rage extends its arm to meekness,
the victim's eyes smile at the torturer,
the rebel indulgently walks besides the tyrant.
Eternity trampled by the golden slipper's toe.
Redeeming values swept aside with the swish of a wide-brimmed hat.
The unrepentant urge to start all over tomorrow.
Now enter, single file, the hosts who died early on,
in Acts 3 and 4, or between scenes.
the raising of the dead from the stage's battlegrounds
the straightening of wigs and fancy gowns
removing knives from stricken breasts,
taking nooses from lifeless necks,
lining up among the living
to face the audience.
The bows, both solo and ensemble -
the pale hand on the wounded heart,
the curtseys of the hapless suicide,
the bobbing of the chopped-off head.
The bows in pairs -
rage extends its arm to meekness,
the victim's eyes smile at the torturer,
the rebel indulgently walks besides the tyrant.
Eternity trampled by the golden slipper's toe.
Redeeming values swept aside with the swish of a wide-brimmed hat.
The unrepentant urge to start all over tomorrow.
Now enter, single file, the hosts who died early on,
in Acts 3 and 4, or between scenes.
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