
Childhood’s End Stephen Schwartz (Ft. Adrian Zmed, Stephanie Mills & William Solo)
On this page, discover the full lyrics of the song "Childhood’s End" by Stephen Schwartz (Ft. Adrian Zmed, Stephanie Mills & William Solo). Lyrxo.com offers the most comprehensive and accurate lyrics, helping you connect with the music you love on a deeper level. Ideal for dedicated fans and anyone who appreciates quality music.

[STORYTELLERS]
And they heard the voice of Father
Walking in the garden in the cool of the day
And from Father's presence
Among the thickest trees, they hid themselves away
[FATHER]
So, you have tasted the fruit
[EVE]
Yes, Father, but it's all right. It didn't hurt me after all, and now I can see so clearly
I can see what you can see!
I can see, I can see
How we can build things from trees
We can use the winds and rivers
I can see there's so much more for us to see
[FATHER]
Eve, you see too much
Can you see you have to go?
[EVE]
Go?
[FATHER]
Leave the garden
And they heard the voice of Father
Walking in the garden in the cool of the day
And from Father's presence
Among the thickest trees, they hid themselves away
[FATHER]
So, you have tasted the fruit
[EVE]
Yes, Father, but it's all right. It didn't hurt me after all, and now I can see so clearly
I can see what you can see!
I can see, I can see
How we can build things from trees
We can use the winds and rivers
I can see there's so much more for us to see
[FATHER]
Eve, you see too much
Can you see you have to go?
[EVE]
Go?
[FATHER]
Leave the garden
"Childhood’s End," performed by Stephen Schwartz featuring Adrian Zmed, Stephanie Mills, and William Solo, is a #Musical Theatre piece from 1981. The song explores themes of growing up, the bittersweet nature of leaving childhood behind, and the inevitability of change. Its poignant lyrics and emotional melodies resonate with listeners, reflecting on life's transitions. The unique blend of vocal harmonies and orchestration enhances its reflective mood. The song captures the universal experience of maturation, making it a memorable part of Schwartz's repertoire.
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