Forgotten Sons Marillion
"Forgotten Sons" by Marillion, released in 1989, is a #Rock song that explores themes of war, loss, and the disillusionment of soldiers. The lyrics reflect on the emotional toll of conflict, emphasizing the forgotten sacrifices made by veterans. Musically, it features dynamic shifts and haunting melodies, contributing to its poignant message. The song resonates with anti-war sentiments and has become a notable piece in progressive rock history.
Armalite, street lights, nightsights
Searching the roofs for a sniper, a viper, a fighter
Death in the shadows he'll maim you, he'll wound you, he'll kill you
For a long forgotten cause, on not so foreign shores
Boys baptised in wars
Boys baptised in wars (Is this war?)
Morphine, chill scream, bad dream
Serving as numbers on dogtags, flakrags, sandbags
Your girl has married your best friend, loves end, poison pen
Your flesh will always creep, tossing turning sleep
The wounds that burn so deep, burn so deep
Your mother sits on the edge of the world
When the cameras start to roll
Panoramic viewpoint resurrects the killing fold
Your father drains another beer, he's one of the few that cares
Crawling behind a Saracen's hull from the safety of his living room chair
Forgotten sons, forgotten sons, forgotten sons
And so as I patrol in the valley of the shadow of the tricolour
I must fear evil, for I am but mortal and mortals can only die
Asking questions, pleading answers from the nameless faceless watchers
That stalk the carpeted corridors of Whitehall
Who orders desecration, mutilation, verbal masturbation
In in the guarded bureaucratic wombs
Searching the roofs for a sniper, a viper, a fighter
Death in the shadows he'll maim you, he'll wound you, he'll kill you
For a long forgotten cause, on not so foreign shores
Boys baptised in wars
Boys baptised in wars (Is this war?)
Morphine, chill scream, bad dream
Serving as numbers on dogtags, flakrags, sandbags
Your girl has married your best friend, loves end, poison pen
Your flesh will always creep, tossing turning sleep
The wounds that burn so deep, burn so deep
Your mother sits on the edge of the world
When the cameras start to roll
Panoramic viewpoint resurrects the killing fold
Your father drains another beer, he's one of the few that cares
Crawling behind a Saracen's hull from the safety of his living room chair
Forgotten sons, forgotten sons, forgotten sons
And so as I patrol in the valley of the shadow of the tricolour
I must fear evil, for I am but mortal and mortals can only die
Asking questions, pleading answers from the nameless faceless watchers
That stalk the carpeted corridors of Whitehall
Who orders desecration, mutilation, verbal masturbation
In in the guarded bureaucratic wombs
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