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Kalashnikov - Jala Brat & Buba Corelli (Ft. Loš Sin)
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Kalashnikov Jala Brat & Buba Corelli (Ft. Loš Sin)

On this page, discover the full lyrics of the song "Kalashnikov" by Jala Brat & Buba Corelli (Ft. Loš Sin). Lyrxo.com offers the most comprehensive and accurate lyrics, helping you connect with the music you love on a deeper level. Ideal for dedicated fans and anyone who appreciates quality music.
Kalashnikov - Jala Brat & Buba Corelli (Ft. Loš Sin)
[Tekst pjesme "Kalashnikov" ft. Buba Corelli]

[Uvod: Jala Brat]
Woo-woo, ye, aha
Ah, regevege VG gang, ye (Woo)
Corelli, Jala Brat

[Refren: Jala Brat]
I kada noć padne, stavim čale samo da ne gledam – koga?
Hejtere, repere koji žele da me nema
Kada dan svane, mahalom se gegam, sve je rega – kako?
Tako što Kalaš u gepeku šteka kolega (Woo)
Imam Kalaš u gepeku, boy (Boy)
Imam Kalaš u gepeku, boy (Boy)
Imam Kalaš u gepeku, boy
Blaka, blaka, blaka (Huh)

[Strofa 1: Jala Brat]
Mamu vam jebem, evo me kô nikada vreo
Da je igra žena, davno bi' joj skinô veo
Lu-lu-lud, nezreo kroz hood s BMW-om
U klub kada uđem mrdaj guz debeo
Moji su na straži, nemoj nas džaba tražit'
I jebo te sve kada ulice vode rat kô da smo u Gazi
Ako nije u gepeku, Kalaš štekam u garaži
Ako nije šmekô, tek će, kera šalji u azil
Ma-mahala se trese, a mala nam pleše za keš
Bukiran svaki mjesec pa grabim pare u šake
Majke mi na beatu smo kô bajkeri na Harleyu
Meni je Cora brat, baš kao Luigi Mariju
Neka me citira Balaš: "Imam u gepeku Kalaš"
Ako valjaš, onda imaš, hala snima, onda padaš
A znaš da sve daju za gram od provincije do dagra
Nemoj da prilaziš vuku ako vidiš da je dangla (Woo)

"Kalashnikov" by Jala Brat & Buba Corelli (Ft. Loš Sin) is a #HipHop track released in 2018. The song explores themes of power, street life, and resilience, using the metaphor of the Kalashnikov rifle to symbolize strength and survival in a harsh environment. Musically, it features a catchy beat with heavy bass and melodic hooks, blending traditional Balkan influences with contemporary rap elements. The song has gained significant popularity in the Balkan region, reflecting the lifestyle and struggles of urban youth, resonating with fans and contributing to the rise of the trap genre in the area.

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