One, two, three—
Wait
Most, the drums [?]
The red light's on
Come on, man
One, two, three, four
[Instrumental]
Chris, I think you, uh, better keep the, the level of your rimshots sort of in the interim, in, in the beginning bit, equal, because you were going up and down like nobody's business there, you were loud one moment, and soft the next
And that, that introductory riff is very, very important, so keep it clean but good, clean, but good and hard
You know, the introductory sort of riff between the beginning of, um, um, um, the sort of, the build up, like…
Right
Onе, two, three, four
Oh, sorry
*laughter*
One, two, three, four
[Instrumental]
Can we havе the count-in a bit louder, could you, just in case?
One, two, three, four!
Okay
*laughter*
[?]
Louder still, I think
*laughter*
Come on, man
One, two, three, four!
Wait
Most, the drums [?]
The red light's on
Come on, man
One, two, three, four
[Instrumental]
Chris, I think you, uh, better keep the, the level of your rimshots sort of in the interim, in, in the beginning bit, equal, because you were going up and down like nobody's business there, you were loud one moment, and soft the next
And that, that introductory riff is very, very important, so keep it clean but good, clean, but good and hard
You know, the introductory sort of riff between the beginning of, um, um, um, the sort of, the build up, like…
Right
Onе, two, three, four
Oh, sorry
*laughter*
One, two, three, four
[Instrumental]
Can we havе the count-in a bit louder, could you, just in case?
One, two, three, four!
Okay
*laughter*
[?]
Louder still, I think
*laughter*
Come on, man
One, two, three, four!
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