[JANE, spoken]
Tommy, why didn't you write me?
[TOMMY, spoken]
Nothing to say, I guess
[JANE, spoken]
But why didn't you wire me you were coming in?
After all, darling, I did think the minute you'd get into town you'd call me
Or come to me
[FIONA]
Come to me, bend to me, kiss me good day
Darlin', my darlin', 'tis all I can say
Just come to me, bend to me, kiss me good day
Give me your lips and don't take them away
[JANE, spoken]
You've certainly been anti-social since you've returned from Scotland
If you really want to avoid everybody
Why don't we take Mr. Jackson's house?
It's far away, and right on top of a high, beautiful hill
[FIONA]
—Through the heather on the hill
But when the mist is in the gloamin'
And all the clouds are holdin' still
If ye're not there, I won't go roamin'
Through the heather on the hill
The heather on the—
Tommy, why didn't you write me?
[TOMMY, spoken]
Nothing to say, I guess
[JANE, spoken]
But why didn't you wire me you were coming in?
After all, darling, I did think the minute you'd get into town you'd call me
Or come to me
[FIONA]
Come to me, bend to me, kiss me good day
Darlin', my darlin', 'tis all I can say
Just come to me, bend to me, kiss me good day
Give me your lips and don't take them away
[JANE, spoken]
You've certainly been anti-social since you've returned from Scotland
If you really want to avoid everybody
Why don't we take Mr. Jackson's house?
It's far away, and right on top of a high, beautiful hill
[FIONA]
—Through the heather on the hill
But when the mist is in the gloamin'
And all the clouds are holdin' still
If ye're not there, I won't go roamin'
Through the heather on the hill
The heather on the—
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