Stage banter on Deluxe Edition only
[Pete Townshend]
Uh... we'd like to carry on now, and play a song originally recorded by Mose Allison, who's really a jazz musician, and I did read something on one of his record covers which said he was a "jazz sage." And, uh, quite what that means, I don't know, but, uh—
[Keith Moon]
Just play the tune
[Pete Townshend]
(laughing) And, anyway, we've picked up quite a number of his songs, "Eyesight To The Blind," which is on the Tommy album, we picked up from him, and also this song, which I think has got to be one of his best. It's one of his own compositions, which he wrote when he was about forty—
[Keith Moon]
A teenager!
[Pete Townshend]
Just a mere teenager, and he called it, "Young Man Blues."
[Crowd cheering]
[Verse 1]
Well a young man
Ain't got nothin' in the world these days
I said a young man
Ain't got nothin' in the world these days
[Instrumental break]
[Pete Townshend]
Uh... we'd like to carry on now, and play a song originally recorded by Mose Allison, who's really a jazz musician, and I did read something on one of his record covers which said he was a "jazz sage." And, uh, quite what that means, I don't know, but, uh—
[Keith Moon]
Just play the tune
[Pete Townshend]
(laughing) And, anyway, we've picked up quite a number of his songs, "Eyesight To The Blind," which is on the Tommy album, we picked up from him, and also this song, which I think has got to be one of his best. It's one of his own compositions, which he wrote when he was about forty—
[Keith Moon]
A teenager!
[Pete Townshend]
Just a mere teenager, and he called it, "Young Man Blues."
[Crowd cheering]
[Verse 1]
Well a young man
Ain't got nothin' in the world these days
I said a young man
Ain't got nothin' in the world these days
[Instrumental break]
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