[DISSOLVE TO: EXT. TRAIN STATION AT CORLEONE - DAY]
[Vitone and his young family: Mama, Santino, Fredo and the baby Michael are met at the small station in Sicily by friends, and Mama's relatives. There is a small band, playing for the occasion. A small man has brought a motor car to pick the family up; and there are certain dark men, with shotguns slung over their shoulders to preside over the occasion. The family is helped into the car; the luggage is packed on the roof, and the car drives off. The second car, with
bodyguards following.]
[EXT. DON TOMASINO'S VILLA OUTSIDE OF CORLEONE - DAY]
[The villa is bloomed with flowers and DON TOMASINO at this point is a man in his late twenties. He embraces Vitone and pats the heads of his children, and leads them all into the garden.]
[INT. THE VILLA - SUMPTUOUS MED. VIEW - LATE DAY]
[A sumptuous table is set for the visiting family from America. There is a warm atmosphere as Vito, his wife and children eat. Tomasino and his family received presents from Carmella and to Tomasino's mother, and gifts are given to all of the children. All typically American representing some of the prosperity and interests in the consumer goods that followed a great war.]
[EXT. CORLEONE PLAZA - DAY]
[The family exits the church on the plaza of the town. Vito
shakes hands warmly with the priest.]
[INT. VILLAGE COTTAGE - NIGHT]
[The door is open -- the footsteps of a man enter the room. We follow these footsteps without quite knowing to whom they belong. They lead us to a bed, where we see asleep an OLD MAN. He sleeps in his undershirt and is sweating, covered by mosquito netting.]
[VIEW ALTERS]
[And we realize that it is young Vito looking at the MAN.]
[Vitone and his young family: Mama, Santino, Fredo and the baby Michael are met at the small station in Sicily by friends, and Mama's relatives. There is a small band, playing for the occasion. A small man has brought a motor car to pick the family up; and there are certain dark men, with shotguns slung over their shoulders to preside over the occasion. The family is helped into the car; the luggage is packed on the roof, and the car drives off. The second car, with
bodyguards following.]
[EXT. DON TOMASINO'S VILLA OUTSIDE OF CORLEONE - DAY]
[The villa is bloomed with flowers and DON TOMASINO at this point is a man in his late twenties. He embraces Vitone and pats the heads of his children, and leads them all into the garden.]
[INT. THE VILLA - SUMPTUOUS MED. VIEW - LATE DAY]
[A sumptuous table is set for the visiting family from America. There is a warm atmosphere as Vito, his wife and children eat. Tomasino and his family received presents from Carmella and to Tomasino's mother, and gifts are given to all of the children. All typically American representing some of the prosperity and interests in the consumer goods that followed a great war.]
[EXT. CORLEONE PLAZA - DAY]
[The family exits the church on the plaza of the town. Vito
shakes hands warmly with the priest.]
[INT. VILLAGE COTTAGE - NIGHT]
[The door is open -- the footsteps of a man enter the room. We follow these footsteps without quite knowing to whom they belong. They lead us to a bed, where we see asleep an OLD MAN. He sleeps in his undershirt and is sweating, covered by mosquito netting.]
[VIEW ALTERS]
[And we realize that it is young Vito looking at the MAN.]
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