
Leave - Jenny Hval Remix Perfume Lyrxo (Ft. Jenny Hval)
На этой странице вы найдете полный текст песни "Leave - Jenny Hval Remix" от Perfume Lyrxo (Ft. Jenny Hval). Lyrxo предлагает вам самый полный и точный текст этой композиции без лишних отвлекающих факторов. Узнайте все куплеты и припев, чтобы лучше понять любимую песню и насладиться ею в полной мере. Идеально для фанатов и всех, кто ценит качественную музыку.

[Intro: Jenny Hval]
My, my
[Perfume Lyrxo]
Set my heart on fire
Immediately
Chain me to the dream
Forever
Turn the camera on
And leave
Begging like a dog
Ignore me
Ninety minutes long
Keep rolling
Barely holding on
Now
I'm singing
What was my name (Now, now)
[Jenny Hval]
Hey, listener, and hi, Mike.
Thank you for letting me look at "Leave", it's a really beautiful song.
Remixing terrifies me, but I'm sitting here in my home studio and flicking through reverb effects on top of your vocal, and this I like.
It reminds me that when I was younger I started playing with reverb effects as a way to travel through space.
I was stuck in my home town, so the only way I could get away was through sending my voice or my guitar into this effect box that I bought at a music store. It had different reverbs and I could sound like I was in a tunnel, or in the mountains; in a small cave, or in a concert hall in some cooler country. The effects made me feel like I was travelling, and now I'm back here, effects-travelling, you could say, instead of really travelling.
Well, thank you for letting me travel with you. To you? With you.
My, my
[Perfume Lyrxo]
Set my heart on fire
Immediately
Chain me to the dream
Forever
Turn the camera on
And leave
Begging like a dog
Ignore me
Ninety minutes long
Keep rolling
Barely holding on
Now
I'm singing
What was my name (Now, now)
[Jenny Hval]
Hey, listener, and hi, Mike.
Thank you for letting me look at "Leave", it's a really beautiful song.
Remixing terrifies me, but I'm sitting here in my home studio and flicking through reverb effects on top of your vocal, and this I like.
It reminds me that when I was younger I started playing with reverb effects as a way to travel through space.
I was stuck in my home town, so the only way I could get away was through sending my voice or my guitar into this effect box that I bought at a music store. It had different reverbs and I could sound like I was in a tunnel, or in the mountains; in a small cave, or in a concert hall in some cooler country. The effects made me feel like I was travelling, and now I'm back here, effects-travelling, you could say, instead of really travelling.
Well, thank you for letting me travel with you. To you? With you.
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