THE VISIT TO LORD POCOCURANTE, A NOBLE VENETIAN.
Candide and Martin went in a gondola on the Brenta, and arrived at the palace of the noble Signor Pococurante. The gardens, laid out with taste, were adorned with fine marble statues. The palace was beautifully built. The master of the house was a man of sixty, and very rich. He received the two travellers with polite indifference, which put Candide a little out of countenance, but was not at all disagreeable to Martin.
First, two pretty girls, very neatly dressed, served them with chocolate, which was frothed exceedingly well. Candide could not refrain from commending their beauty, grace, and address.
"They are good enough creatures," said the Senator. "I make them lie with me sometimes, for I am very tired of the ladies of the town, of their coquetries, of their jealousies, of their quarrels, of their humours, of their pettinesses, of their prides, of their follies, and of the sonnets which one must make, or have made, for them. But after all, these two girls begin to weary me."
After breakfast, Candide walking into a long gallery was surprised by the beautiful pictures. He asked, by what master were the two first.
"They are by Raphael," said the Senator. "I bought them at a great price, out of vanity, some years ago. They are said to be the finest things in Italy, but they do not please me at all. The colours are too dark, the figures are not sufficiently rounded, nor in good relief; the draperies in no way resemble stuffs. In a word, whatever may be said, I do not find there a true imitation of nature. I only care for a picture when I think I see nature itself; and there are none of this sort. I have a great many pictures, but I prize them very little."
While they were waiting for dinner Pococurante ordered a concert. Candide found the music delicious.
"This noise," said the Senator, "may amuse one for half an hour; but if it were to last longer it would grow tiresome to everybody, though they durst not own it. Music, to-day, is only the art of executing difficult things, and that which is only difficult cannot please long. Perhaps I should be fonder of the opera if they had not found the secret of making of it a monster which shocks me. Let who will go to see bad tragedies set to music, where the scenes are contrived for no other end than to introduce two or three songs ridiculously out of place, to show off an actress's voice. Let who will, or who can, die away with pleasure at the sight of an eunuch quavering the rôle of Cæsar, or of Cato, and strutting awkwardly upon the stage. For my part I have long since renounced those paltry entertainments which constitute the glory of modern Italy, and are purchased so dearly by sovereigns."
Candide disputed the point a little, but with discretion. Martin was entirely of the Senator's opinion.
They sat down to table, and after an excellent dinner they went into the library. Candide, seeing a Homer magnificently bound, commended the virtuoso on his good taste.
"There," said he, "is a book that was once the delight of the great Pangloss, the best philosopher in Germany."
"It is not mine," answered Pococurante coolly. "They used at one time to make me believe that I took a pleasure in reading him. But that continual repetition of battles, so extremely like one another; those gods that are always active without doing anything decisive; that Helen who is the cause of the war, and who yet scarcely appears in the piece; that Troy, so long besieged without being taken; all these together caused me great weariness. I have sometimes asked learned men whether they were not as weary as I of that work. Those who were sincere have owned to me that the poem made them fall asleep; yet it was necessary to have it in their library as a monument of antiquity, or like those rusty medals which are no longer of use in commerce."
"But your Excellency does not think thus of Virgil?" said Candide.
Candide and Martin went in a gondola on the Brenta, and arrived at the palace of the noble Signor Pococurante. The gardens, laid out with taste, were adorned with fine marble statues. The palace was beautifully built. The master of the house was a man of sixty, and very rich. He received the two travellers with polite indifference, which put Candide a little out of countenance, but was not at all disagreeable to Martin.
First, two pretty girls, very neatly dressed, served them with chocolate, which was frothed exceedingly well. Candide could not refrain from commending their beauty, grace, and address.
"They are good enough creatures," said the Senator. "I make them lie with me sometimes, for I am very tired of the ladies of the town, of their coquetries, of their jealousies, of their quarrels, of their humours, of their pettinesses, of their prides, of their follies, and of the sonnets which one must make, or have made, for them. But after all, these two girls begin to weary me."
After breakfast, Candide walking into a long gallery was surprised by the beautiful pictures. He asked, by what master were the two first.
"They are by Raphael," said the Senator. "I bought them at a great price, out of vanity, some years ago. They are said to be the finest things in Italy, but they do not please me at all. The colours are too dark, the figures are not sufficiently rounded, nor in good relief; the draperies in no way resemble stuffs. In a word, whatever may be said, I do not find there a true imitation of nature. I only care for a picture when I think I see nature itself; and there are none of this sort. I have a great many pictures, but I prize them very little."
While they were waiting for dinner Pococurante ordered a concert. Candide found the music delicious.
"This noise," said the Senator, "may amuse one for half an hour; but if it were to last longer it would grow tiresome to everybody, though they durst not own it. Music, to-day, is only the art of executing difficult things, and that which is only difficult cannot please long. Perhaps I should be fonder of the opera if they had not found the secret of making of it a monster which shocks me. Let who will go to see bad tragedies set to music, where the scenes are contrived for no other end than to introduce two or three songs ridiculously out of place, to show off an actress's voice. Let who will, or who can, die away with pleasure at the sight of an eunuch quavering the rôle of Cæsar, or of Cato, and strutting awkwardly upon the stage. For my part I have long since renounced those paltry entertainments which constitute the glory of modern Italy, and are purchased so dearly by sovereigns."
Candide disputed the point a little, but with discretion. Martin was entirely of the Senator's opinion.
They sat down to table, and after an excellent dinner they went into the library. Candide, seeing a Homer magnificently bound, commended the virtuoso on his good taste.
"There," said he, "is a book that was once the delight of the great Pangloss, the best philosopher in Germany."
"It is not mine," answered Pococurante coolly. "They used at one time to make me believe that I took a pleasure in reading him. But that continual repetition of battles, so extremely like one another; those gods that are always active without doing anything decisive; that Helen who is the cause of the war, and who yet scarcely appears in the piece; that Troy, so long besieged without being taken; all these together caused me great weariness. I have sometimes asked learned men whether they were not as weary as I of that work. Those who were sincere have owned to me that the poem made them fall asleep; yet it was necessary to have it in their library as a monument of antiquity, or like those rusty medals which are no longer of use in commerce."
"But your Excellency does not think thus of Virgil?" said Candide.
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